A graphic designer, problem solver and translator are all roles played by Nick Reese, Hirons’ newest creative assistant. His job is to interpret and visually convey an idea, message, brand or product in the most effective way possible. From complex campaign concepts down to simple fact sheets, Nick helps create a wide range of digital and physical visuals for clients. We interviewed the most recent member of the Hirons family to delve deeper into his creative mind and uncover more about his passion for art – at the office and outside of work.
How did you become interested in advertising/PR, and how did you break into the industry and land your first job?
I initially graduated from Park Tudor here in Indianapolis. I went on to attend High Point University in North Carolina, where I earned my bachelor’s degree in graphic design and digital communications with a minor in photography. In school, ads were my favorite projects. I love the overarching structure filled with intricacies that branding provides. I also love the emotion an ad can stir within a person. An image, combined with a well-crafted message and intricate thought process, is all you need to make someone grin from ear to ear or cause their stomach to drop. That’s beautiful to me.
I landed my job here at Hirons thanks to someone from RePro Graphix who passed along several names of agencies in the area. I ended up interviewing with Tom and the creative team. Shortly after, I became part of the Hirons family.
What are specializations/most important tools of the trade?
Creative is a bridge – and not just between two people. The work you present needs to speak to the client. You have to structure all of the input you receive into a path for the client to follow or a direction for them to go. For them, an adjective becomes something that performs. The client or account manager will use certain terms in an attempt to convey their vision to you. It is important to dissect those words and fully understand what the client is trying to achieve so you can help them reach the goals they have set for the project as well as identify potential flaws and suggest revisions.
As a graphic designer, what characteristics do you need to be successful in the advertising industry?
In this industry, it is important to understand that while your art may look good, it may not perform well. Thus, you need to have thick skin in order to handle criticism. The ability to remove yourself from a situation or project and seek out another point of view is crucial, so it is also important to have humility.
Do you have any interesting hobbies/second jobs/bits of information that make you pop as an individual?
I collect sneakers – any type of shoe really. Right now, I have around 200 pairs. I’ve been obsessed with them forever. I have notebooks from the third grade that are filled with shoe drawings. Looking back, my obsession with shoes started with a basic understanding of design in terms of form and function. The marriage between the two is the basis of design – something that is both eye-catching and serves a purpose.
When and where do you have your best ideas?
Honestly, I have no specific time or place. Sometimes I’m in my car, and an idea hits me out of nowhere. Other times, I’m hunkered down at my desk, and they come to me as expected.
What has been the most exciting project/campaign that you’ve worked on at Hirons?
My first pitch was a whirlwind. I had only been with Hirons for a few months, so I was still new to advertising as a whole. Seeing the details and nuances in prepping and pitching and watching it all unfold made me feel like I was watching a choreographed dance by the end. I learned a ton working under Pam and John, and it was amazing to see Tom present. He had everyone on the edge of their seats.
Why is effective advertising/PR so important for growth and success of organizations?
I am a firm believer that all problems stem from miscommunication, and I see myself as a translator. In the world of advertising, we have to take the time to study human behavior and learn what works and what does not. We also have the difficult task of capturing a client’s vision and making sure it is well-received by the masses in the most effective way possible. If a problem doing so arises, I keep peeling back layers until I eventually find a communication disconnect.
What’s one important tip you would share with anyone looking to go into the agency world?
The “9-to-5” concept does not apply to the agency world. Here, the work gets done when it gets done. It’s a fast-paced environment, and there is no hand-holding.
What is the most meaningful part of your job?
Right now, it’s learning. I’m trying to soak up as much knowledge as possible so I can eventually slay this world of creative direction and feel proud of the impact I am making. Luckily, I have great co-workers who have years of experience from which I can learn.